Preface
This is really a tale of two museums. Earlier in my 'summer' (don't go there!) holiday I was lucky enough to visit the Churchill Cabinet Rooms in London, about which I will write a small report later. This had a very big influence on the impression I got when visiting Eden Camp, so much so that I could not help but constantly be making comparisons in the quality of the presentation between the two museums. The following report, therefore, is somewhat coloured by the earlier visit, and so please take any perceived negativity as the unfortunate result of having visited one very best museums I have ever visited just before visiting Eden Camp. Apologies to everyone involved with Eden Camp if my comments seem unfair in the circumstances.

Eden Camp - what's it all about?
Eden Camp - in it's own words - is "...no ordinary Museum - Not another Military Museum - Not a glass showcase Museum - We have reconstructed scenes using movement, lighting, sound, smells, even smoke machines to transport you back in time, to make you feel that you are there taking part in history."

At it's heart Eden Camp is a theme museum, in that it uses it's own history as a basis to present a 'moment in time'. In this case, Eden Camp was formally a WW2 prisoner of war camp housing Italian and German POWs from 1942-1948. But while the camp offers an authentic location it has opted to act as a time capsule, preserving the sights and sounds of Britain in the Second World War rather than resting on it's laurels as a POW camp.

Above: One of the displays that seemed very popular - perhaps for all the wrong reasons. This 'German guard dog' from the Great Escape diorama brought a smile to the faces of all visitors!

Right from the start the visitor gets the impression that they are walking through a history book brought to life (to an extent), with the novel use of the camps huts as chapters in the telling of the story of Britain during World War Two.

A living museum? Not quite...
To me, a 'living museum' is a place where historians and archaeologists attempt to recreate a period in history using a location and period objects to not only capture a moment in time, but to animate that moment - as if the visitor were watching a scene from history played out before them. Eden Camp fails to come under this category of museum, quite simply because it actually is exactly what it says - in it's own literature - that it isn't, a 'glass showcase Museum'.

It's rather a shame, because all the authentic artefacts are in place in order to make a 'living museum', it's just that Eden Camp chooses to present them in a static manner which the visitor must file past as 'exhibits'.

Above: Glass case displays DO have their place and here is an excellent example of good use of this format of display. As part of the 'Reunion' hut there is a wonderful collection of photos of ex-services personnel, these pictures were supplied by the personnel themselves or their families. I was among many others who were searching through the many photos - nicely organized into the different 'theatres of war' - looking for relatives. I am proud t say that both my father and mother are represented on these boards. Personal bias aside, this is a excellent resource and is a real asset to the museum.However, to be fair to Eden Camp and it's staff, the commitments and resources required to turn a museum into a fully fledged living museum are enormous, not least in the costs involved in training staff and actors. So Eden Camp - for the time being - remains principally a 'glass case' museum to the general visitor, but does go very much further to interact with it's educational visitors.

So, what's there that's interesting?
There is a lot of information and artefacts held at Eden Camp that is of interest to the enthusiastic amateur historian. Enjoy the History Channel? Then you will enjoy Eden Camp.

I chose the above statement carefully - as anyone who has the level of interest to sit through a historical documentary will be better prepared to deal with the large amount of information which is presented at the museum in the form of text and photographs. More casual - and younger - visitors may not fair so well with this type of information.

About 70% - I would estimate - of Eden Camp's historical material is presented in the form of printed passages and illustrations in glass cabinets which decorate the passageways through the huts. This form of display is certainly not for everyone, young children and teenagers in particular will find it hard to deal with the overwhelming amount of reading there is to be done. [There is, additionally, an issue of accessibility. On my visit we had a teenage boy in a wheelchair and his family following us around - the display cabinets are generally hung at approximately three-and-a-half to four feet off the floor, the young lad could barely reach to read the lowest part of the boards.]

The remainder of the items and displays at Eden Camp are either static arrangements of artefacts in cabinets, vehicles and equipment or tableau or dioramas made up of mannequins in period costume.

Of these the tableau were perhaps the most useful in an educational sense when trying to illustrate the life in Britain during World War 2. But, unfortunately, it has to be said that some of the design of the arrangement and dressing of the mannequins was a little shoddy and left something to be desired. On one or two occasions the arrangements bordered on the comical which was counter-productive to their usefulness.

This inconsistency in the quality of displays, and the occasional thoughtlessness in design, is a great shame as Eden Camp definitely holds a rich and important inventory of historical objects that is it's greatest asset.

The good, the bad and the ugly...
To summarize, Eden Camp as a quality historical attraction has three principal strengths; it's excellent collection of authentic exhibits, it's ambition in covering historical events and aspects of World War 2 that other museums overlook (such as the Bevin Boys, the home front and the Great Escape) and it's truly wonderful collection of personal artefacts and photographs donated to the museum by ex-servicemen and women and their families.

As a museum, again Eden Camp score very highly because of the historical information and exhibits it has, plus it's very good educational facilities and arrangements.

However, this undeniably splendid collection is somewhat let down by cramped and sometimes chaotic display designs, the overuse of textual and photographic material - which is sometimes duplicated -and the obsolescence of it's dissemination of information, which is very out of place in this multimedia and interactive age.

Above: 'Interactive quiz' - this is about as high tech as it gets at Eden Camp. But this 'button and buzzer' type of contraption is very reminiscent of gadgets I am familiar with from visits to the Dundee Natural History museum in the late 1960s! Not only do kids soon tire of this kind of 'game', but it's obtrusive buzzer is a source of irritation to other visitors.

In my preface I mentioned that this visit was sadly handicapped by a recent visit to what is undeniably one of the best examples of how a modern museum could and should be designed - The Churchill Cabinet Rooms in London, and I do apologise to the Eden Camp staff and acknowledge that they obviously work very hard to provide a top class attraction and museum.  I certainly do not overlook the discrepancy of funding that is available to the two museums.

Neither must I ignore the fact that Eden Camp has repeatedly won awards for the quality of it's museum facilities and exhibits.

That said, I do sincerely believe that some of the museum's greatest attractions - of premier quality and unique in this country - are being underused and hidden away by a general lack of consistently good display design.

Above: Impressive Russian 152mm howitzer, one of the many excellent static display items dispersed between the museum huts. Without a doubt the 25 or so vehicles and many more authentic items of equipment dotted around the camp are a impressive collection by any standards.

The interest of the public in the idea of Eden Camp is unquestioned - in fact on the day I went there was hardly a free space in the car park and there were cues to enter the display huts. But I would hope that the organizers are not content to rest on their laurels and are urgently looking into how they can capture the interest of today's children in order for them to understand the unique sacrifice their grand and great grand parents made in the course of the Second World War.

...If they aren't, then may I suggest the camp organizers make a visit to the Cabinet War Rooms to find out.

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Postscript - Eden Camp, so what would I change or do?
To my mind there were three big problems with Eden Camp:-

1. It's obsolete display formats, which mostly failed to reach out and stimulate younger visitors
2. The duplication of information in it's 'museum within a museum' section
3. Accessibility issues for both the disabled and non-English speaking visitors
   

OK, so what would I do to improve Eden Camp? Here's a short list of my ideas:

• Urgently review the accessibility of display items for the disabled - in particular, consider lowering the display cabinets half a foot (at least) or consider a (multi-lingual) audio-tour mechanism
  
  
• Replace a percentage of textural and photographic material in each hut with a large screen monitor displaying period news reels, propaganda and public information films (a moving picture has the ability to impart in a shorter time a particular point, and reinforces the idea that the artefacts on display were really used and how they were used)
  
  
• These same screens can be used to display interactive quizzes based on the information held within it's own particular hut during educational visits
  
  
• Do away with the 'museum with a museum' which largely duplicates information already held in other areas
  
  
• Create a new multi-hut museum telling the story of AXIS prisoners held in the UK - visitors could then compare this to the treatment of Allied prisoners (see below)
  
  
• The 'Great Escape' section should be given more space and prominence - together with an Axis POW display, this would be a absolutely unique insight into an important aspect of the war with the advantage it would be lodged on a authentic former camp. Additionally, it would be useful if the museum discussed the 'morals within war' by looking at international treaties like the 'Geneva Convention' and the role of the International Red Cross.
  
  
• The 'Human Torpedo' huts should be given more emphasis - this is a truly unique collection

These are just some of my ideas based on what I thought were missed opportunities during my visit.

Above: A Russian T34/85 tank, one of the excellent static vehicle displays dotted around Eden Camp. The vehicle and equipment collection is one of the highlights of the museum's attractions.

Eden Camp website: www.edencamp.co.uk

> Yorkshire Escapes (no pun intended!) review of Eden Camp
> Trip Adviser visitor reviews (which will help balance my comments)

This was our first visit to the Yorkshire Air Museum, despite it being - nearly - on our doorstep. It took place on a wonderfully sunny summers day, the best way to see a museum with so many outdoor exhibits (but had it rained, there were as many indoor displays to make the trip still worthwhile).

Getting there

The museum is located at Elvington, near York -  Link to Google map - and full travel and accommodation is available from the YAM website by following this link: 'Your Visit'

Wheelchair access is available to all displays except the top floor of the Control Tower. Wheelchairs are available on request and there are disabled toilet facilities. For detailed enquiries the museum can be contacted by phone -  (44) (0) 1904 608595 - or can by email: museum@yorkshireairmuseum.co.uk

Exhibits and attractions

The museum was formally an RAF bomber base - RAF Elvington - for the duration of the Second World War, and so many of the exhibits are related to the history and theme of its role. Elvington was host to two French Squadrons, No. 346 (Guyenne) and No.347 (Tunisie), and a central piece of the main hanger is a wonderful Hadley Page Hallifax III named 'Friday the 13th' in French insignia.

The theme of bombers and bombing is reinforced by the precence of the 'Air Gunner's Memorial Room', a museum inside a museum dedicated to air gunners hosting a excellent collection of bomber gun turrets. 

However, the base was used subsequent to WW2 as a strategic bomber station, and so maintaining its links with heavy bombers. This is reflected with the inclusion of many jet aircraft from the 'Cold War' era up until the most modern RAF bombers, like the Tornado GR.1 strike aircraft.

The collection is many and varied, including aircraft of all shapes and sizes and types from around the world. These are displayed inside the main hanger hall and dotted around the station.

As well as the aircraft themselves are a number of historic military vehicles, the interesting station buildings themselves and the beautiful Memorial Garden, dedicated to those who lost their lives during the war.

All in all, the museum is a  eclectic collection of sometimes unexpected exhibit, but it's not all military hardware and technology as there are some touching displays which emphasis the human aspect of the base, the aircraft and the history of flight.

General impressions

I had a very enjoyable day at the museum, but what's more my girlfriend found the variety of displays entertaining - more so than the sometimes rather emotionless arrangement of aircraft you get in some indoor museums. There was a real sense that the museum was trying to tell you a story, and not just about the aircraft. Highlight of the visit - which illustrates perfectly the human story - was the wonderfully tranquil Memorial Garden. A very touching part of the museum that both my partner and I appreciated immensely.

Finally, another interesting feature of this museum is the very real impression that this is a 'living repository' of historic artifacts. Throughout the day and around the base one occasionally came across small groups of enthusiasts who were involved with restoration of maintenance work on several of the exhibit. We were very lucky to witness the test running of the massive jet engine on the Hadley Page Victor tanker aircraft by one large conservation group, while elsewhere one solitary enthusiast was undertaking a fascinating overhaul of a Mosquito night fighter!

The Yorkshire Air Museum was a wonderful experience, it wasn't just a 'collection' but a living community - from the chatty 'old geezers' who were glad to relate their experiences, to the oily 'spanner monkeys' tinkering with  complex engineering. It was a excellent day out!

Above: Members of a Victor conservation group work furiously - watched by an appreciative
audience of enthusiasts - to test start one of the aircrafts jet engines. It was worth waiting
for as the noise was like nothing I have ever experienced - truly 'deafening'!

Related links:

The Yorkshire Air Museum website - http://www.yorkshireairmuseum.co.uk/

My Flickr album of the day (118 photos) - Yorkshire Air Museum gallery